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Collection: Directories and Documents > Tanis Thorne Native Californian & Nisenan Collection

Five Thousand Years of Shell Symbolism in the Southeast (13 pages)

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174 Aaron Deter-Wolf and Tanya M. Peres Figure 7.6. Female effigy seated in a helmet shell, recovered from the Sequatchie Valley, Tennessee (after Troost 1845: 361). stored within the Tent of War, directly associated with the sacred Cedar Pole. Unfortunately, the specific origin and symbolic value of these items had been lost before they were documented in the 1870s. Legends of the Omaha Shell Society suggest that the Sacred Shell was connected with death, the recycling and continuation of life, and water, “the medium for transmitting power from the Above to the mother earth” (Fletcher and La Flesche 1911: 187). According to Fletcher and La Flesche, the Cedar Pole _ was associated with the first appearance of humans and with the Thunderers. The juxtaposition of the pole and shell within the Omaha Tent of War created balance between the Above and Beneath Worlds, as well as between male (pole) and female (shell) concepts (Myers 1992). Duncan (2011: 31) identifies such earth/sky, male/female juxtapositions as “unified dualism” and notes that they are “an ever present theme in Dhegihan cosmology.’ There is strong ethnographic evidence that ancient Native Americans associated shells with female principles (Claassen 2008, 2011). Representational evidence of this association comes in the form of several figurines Five Thousand Years of Shell Symbolism in the Southeast 175 from the Mississippian period. In his early discussion of prehistoric art from Tennessee, Troost (1845: 361) illustrates a find from the Sequatchie Valley consisting of a female ceramic effigy seated within the outer whorl of a marine gastropod that he identifies as a flame helmet (Cassis flammea) (figure 7.6). The interior whorls and columella of the shell had been removed to create a “sanctuary” for the figurine (Troost 1845: 360-61). In 2009, excavations in East St. Louis uncovered the so-called Exchange Avenue Figurine, a flint clay figurine depicting a kneeling woman with a gastropod positioned cup-up at her knees (Caba 2011) (figure 7.7). The shape and positioning of the outer whorl suggest to us that the Exchange Avenue Figurine is holding a modified helmet shell (Cassis sp.) with the central columella and interior whorls removed, just as seen in the Sequatchie Valley example. The Exchange Avenue Figurine differs significantly from the three other examples of Mississippian female flint clay figurines (the Westbrook, Keller, and Birger figurines) in that it holds a shell Figure 7.7. The Exchange Avenue Figurine, East St. Louis (after Caba 2011: 12).