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Metaphor and the Anthropocene - Presenting Humans as a Geological Force (June 2015) (9 pages)

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Clive Hamilton (Hamilton, 2015; Hamilton and
Grinevald, 2015) suggests that the Anthropocene
is a radical idea because it stems from an emerging paradigm shift away from ‘global environmental change’ towards thinking in terms of a
single dynamic and phase-shifted Earth System.
To the extent this is the case, it amplifies the
sense that the concept — and this period in which
it is emerging — possesses what Castree rightly
calls ‘a symbolic charge — a certain grandeur if
you will’ (p. 2).
In this essay, I reflect on this “symbolic charge’
by exploring the metaphors and other rhetorical
tropes used by some scientists in presenting the
concept. This is not to question or criticise these
scientists or to undermine the scientific validity
of the Anthropocene concept. For one thing, it is
not as if a purer form were possible. Metaphors
deeply pervade all human cognition, scientific
analysis included (Lakoff and Johnson, 2003).
Metaphors are now also recommended to scientists as a communication and collaboration aid,
serving as a ‘boundary object’ (cf. Star and
Griesemer, 1989; Devadason, 2011). Rather than
indicting the use of metaphors, my purpose here
is to highlight some of the pockets of meaning
they fold into the Anthropocene concept.
By expanding our view of Nature to the planet,
the Anthropocene concept recycles, reworks, and
gives extra rhetorical force to a number of existing metaphors of the human-—nature relationship,
namely humans as stewards (which has deep
roots in Christian theology) and humans as
system mechanics (which has roots in cybernetics). But it is the metaphor about humans as a
geological force that is the most force-full in all
senses. Below I begin to rustle through some of
the baggage of this particular metaphor to gain a
better understanding of what meaning it carries
for the Anthropocene.
The meaning of metaphors
A metaphor gives new meaning to an ordinary
word by equating it to an unexpected one, ‘carrying over’ a word “from its normal use to a new use’
(Richards 1929, in Donoghue, 2014, 1). Humans
as acancer, for example, is a long-standing metaphor in some quarters of environmentalism. It is
one that may be revived with the recent proposition that Cold War atomic weapons testing should
signify the start of the Anthropocene because
— by riddling the Earth with novel radioactive
nucleotides — it provides a temporally precise
stratigraphic signal synchronous with the Great
Acceleration period and its apparently decisive
Geographical Research * 2015
impact on Earth system functioning (Steffen
et al., 2015; Zalasiewicz et al., 2015). A powerful
shorthand for encapsulating the pervasive and
negative effects of human impacts (Robbins,
2013), the humans as a cancer metaphor invites
us to imagine humans in a different ontological,
spatial, and moral light. While humans as a
cancer is Clearly a provocative, political proposition, many metaphors are far more mundane and
difficult to detect. As Robbins (2013) notes:
because there is no way to practically and
effectively describe and know the world in
total [. . .] itis far more succinct and powerful
to think about it as if it were a ‘system’, a
‘network’ or a set of ‘functions’.
But even when unremarkable, “each metaphor is
also inevitably and profoundly political’
(Robbins, 2013, 308). Not only does a metaphor
illuminate some parts of the world rather than
others and add various hues, it shapes our subsequent actions, as J.K. Gibson-Graham outlined
so effectively in their analysis of how we imagine
and thus revere ‘the Economy’ (Gibson-Graham,
2006). For example, the idea that the Earth is sick
— a cancer patient — leads almost inevitably to
solutions conceived through related medical
notions of cure. Exemplifying this are recent
geoengineering propositions to manage climate
change by administering violent stratospheric
‘injections’ of sulfur in the name of (chemo)
therapy (Nerlich and Jaspal, 2012).
While metaphors can deeply structure our
understanding and actions, the meaning of any
given metaphor is inherently ambiguous, especially when the terms are only loosely specified.
This means that the value of a metaphor is not
simply a matter of how accurately it depicts the
world, but of what insights, storylines, emotions,
and aesthetics it offers. As Donoghue (2014)
notes (quoting Stern (1931)):
The metaphor expresses shades of thought
and feeling which could not otherwise be formulated in speech, or not so concisely and
precisely formulated. The value of a metaphor
lies in the adding of new attributes to a referent, its placing in a web of new complex relations, through which it is brought into a new
light, receives peculiar emotional values and
is comprehended more vividly and completely than before (p. 53).
The aesthetic, expressive quality of language that
metaphors represent is familiar to geography,
which began with a strong interest in marrying
© 2015 Institute of Australian Geographers