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Volume 052-4 - October 1998 (8 pages)

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and must be endured. We shall contrive to get along somehow.” And our men replied, “Yes, we’ve done all we can to
stop the flames. The town is gone; we’ll build it up again.”
Even at that moment stern resolution stood out, the leading
feature of Californians, to meet trial and discomfiture like
old and well-tried warriors.
Never in my life have I seen more fortitude or calmness
displayed at misfortune than at that very hour; and what has
been the result? In little more than a month, a stranger, to
visit us, would scarcely know that a fire had occurred
which had wiped a town from existence. What a moral
spectacle does it present of California energy and enterprise.
And do Californians look for sympathy from abroad? So
far as kind wishes are concerned, one for another, it is gratifying. A brother’s love is always acceptable under misfortune; but our people depend upon themselves alone for the
NCHS Bulletin October 1998
means of repairing their loss. I recollect reading, a year or
two ago, of the destruction of some town in Germany by
fire, when the sympathies of our Atlantic brethren were
largely excited, and subscriptions were opened for the relief
of the distressed foreigners. I have yet to learn of the first
dime which was subscribed at home for the relief of ruined
and suffering citizens, when San Francisco and Sacramento
were burned under the most appalling circumstances. Thousands for a foreign people, but not a dime for their Pacific
brethren! But it is a bright relief to witness the heartfelt
kindness, the substantial sympathy which our suffering
towns receive from a more fortunate one in California. Assistance and offers of assistance are showered down, and
good will and sympathy are the order of the day. I love
California; I love Californians!
Theater of Angels
by J. A. Tate
ip 1958 GRASS VALLEY AFFORDED LIMITED ENTERtainment for a boy of ten. The Del Oro Theater, located at
167 Mill Street, was a source for fun escapism. While waiting in line in front of the double marquee, I gazed up at the
tall triangular tower on the roof that spelled out neon Del
Oros on all three sides.
e™, Reaching in my pocket, I felt my candy money, two quarters and a nickel. Plenty for candy and admission. Walking
across the rainbow-patterned granite floor with the red
kiosk in the center, I checked out the six coming attractions
in the large glass cases.
Just outside the four oak double doors (topped with
frosted glass), I gazed at the red, white and blue pulsing
neon tubes on the entryway ceiling.
Upon entering, my 35-cent ticket was torn by an usher
who was splendidly attired in a red jacket with red-striped
black pants. Spread over the outer lobby was a gold filigree
royal carpet.
The snack counter stood in the center of the lobby, a
gleaming glass castle filled with tiers of candy and goodies.
Perched on top was a popcorn machine that bubbled like a
miniature volcano, caressing my nostrils with smells of hot
melted butter and freshly popped corn. To the left was the
hot-dog steamer, oozing tantalizing odors of wieners and
buns. A sign proclaiming “Smacking Good Bon-Bons”
seemed to call to me as I descended the carpet to the lower
lobby.
Centered in the lower lobby stood the red-tiled drinking
WAITING FOR AN ANGEL
¥ NOLA IN PARIS
[7% WAR OF ALL AGAINST ALL
The Del Oro Theater, corner of
Mill and Neal streets, as
depicted by Grass Valley artist
John Michael Keating.
(Illustration © by the artist.)