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Collection: Books and Periodicals > Nevada County Historical Society Bulletins

Volume 077-4 - October 2023 (6 pages)

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NCHS Bulletin October 2023 Brewers mortgaged the property for $1500 to finance additional improvements: a petting zoo, a business office, better camping and picnicking facilities, a block of bath houses for women, and a bridge to the island in the lake.'* No admission was charged for entrance, but modest fees were charged for renting bathing suits and boats, for swimming lessons, and for access to the area with the diving tower, tank, and other equipment. Camping spaces and tents were rented. Howard Brewer’s vision of Olympia Park was expansive in terms of both aquatic sports and music. He gave swimming lessons and introduced swimming competitions and water polo, fostering Nevada County youngsters’ swimming capabilities— much as he had been mentored in San Francisco. The bridge to the island in the lake launched the park’s long and illustrious career as a favorite Nevada County dance equipment. Courtesy Carl Mautz This postcard image, also pre-dating Brewer’s ownership, shows spectators viewing swimmers lining up for the slide and frolicking in the bathing tank or “plunge.” A barrier separates the tank from the lake; rented woolen bathing suits with “Olympia” inscribed, dry on the railing. The Brewers installed a 40-foot metal dive tower and a metal trapeze in place of the wooden tion of pleasures for children and their parents over two days, including three dances (one ragtime), a long roster of children’s races, balloon ascension, parachute drop, fireworks, and an illuminated parade of boats. Several thousand attended; July 4th was the biggest day in the history of the park." Just as the Brewers were on the cusp of success, conflicts with the Twin City communities darkened their hopes. To gain more income, Brewer applied for a temporary liquor license to sell alcohol on the north side of the lake near the entrance. The neighbors’ protest against the “saloon” quickly escalated into a temperance crusade by the local Protestant churches. Nevada City’s Mayor C.W. Chapman voiced his strong objection to “ragging” music. When Chapman (a stockholder in the rival Glenbrook Park), was asked to define that class of dancing, he replied: “Mix ragging... venue. Taking up most of the island’s space was a 50 by 100-foot, spring-loaded dance floor, which was most popular on moonlit nights. Likely the first to introduce cutting-edge, modern music to Nevada County, Brewer added ragtime to the conventional fare provided by local bands at weekly and bi-weekly dances. (Ladies were free, and only men paid the 50-cent admission ticket.) In the summer of 1912, the Brewers inaugurated Pop Concert Sunday Special Rag Time-Binging and Playing } an annual program of (By Stanley Arnot ) Dance Tonight events over the warm oe or as eel and jubilant Fourth OLYMPIA PARK of July holidays. This grand celebration had an irresistible combinaRagtime music advertised in Morning Union for the Fourth of July weekend, 1914. with sexes, liquor and pine trees and you have the greatest combination possible for working out evil.”'° A raucous mass meeting of Congregationalists and Methodists was held to block the access to liquor in Olympia Park to ensure the well-being of families. The Board of Supervisors nonetheless approved his liquor license unanimously, setting off another firestorm of moral indignation. “We foresee a genuine asset for these two cities for relaxation, amusement, and pleasure. but only if the park was alcohol free,” said the protestors." So fortunate early in life, the urbane Howard Brewer unwittingly became the lightning rod for anxieties about urbanization and modernization. The emergence of pleasure parks in modern America catalyzed these fears, for here young people exercised freedom