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Page: of 12

Music
Eagles are
flyin’
By MARY CAMPBELL
AP Newsfeatures
When Glenn Frey and Don
’ Henley were playing in Linda
Ronstadt’s backup band, they
thought “how nice it would be
to have a band with more singers who could all play good.”
So they, and John Boylan,
Miss Ronstadt’s manager, put
_ such a band together, in 1971.
In the summer of 1975, Time
magazine called that group,
the Eagles, in which four of the
five take vocals, ‘‘the top U.S.
rock band.’”’ :
And the Eagles have done
nothing about flying down
“from that peak. On Dec. 1 the
‘‘Hotel
—_ two
million copies. Frey and
Henley wonder whether any
other artist’s album ever
shipped that many, then
decide that recent Elton John
and Stevie Wonder albums
probably did.
The first Eagles album,
group’s new LP,
California,’’
from it came three hit singles,
high
Woman” and ‘Peaceful Easy
Feeling.” The American pop
music listening public
discovered the Eagles right
away.
Each of the six Eagles albums, all on Asylum Records,
has sold more than a million
copies.
The biggest single is “Take
It to the Limit,” released last
December and sung by Randy
Meisner.
The new single is ‘New Kid
in Town’ and ‘Victim of
Love,” which Henley and Frey
believe is the first single
record with two ‘play sides”
since Carole King’s ‘It’s Too
Late’ and “I Feel. the Earth
Move.”
“We live in Southern
California and we’re a song
band,” Frey says. “I think
that is something dominant in
California groups like the song
Beach Boys; Crosby, Stills,
Nash and Young; the Byrds;
Buffalo Springfield. There’s
2 ES ©,
East Coast
“We don’t write guitar rifts
or rock ’n’ roll tracks for
somebody to scream over. We
write, etched with respect for
the popular. song.”
Frey and Henley are talking
on extension phones from Los
Angeles to a reporter in New
York. The timber of their
voices is similar and they say
they don’t need to be quoted
individually, they think pretty
much alike anyway.
Frey and Henley do most of
the song writing for the
Eagles, with Henley writing
more of the words and Frey
more of the music, though both
write both, sometimes
separately, sometimes
together.
Henley says, ‘‘Writing songs
is still a mystery to me. I don’t
know how we get from the concept to.the end of the song. But
I know it’s hard work. We agonize over prepositions; we
take. it very seriously.
“The trick about writing
ering your standards.
One hit single, ‘‘Lyin’
Eyes,” they figure was a
winner because it ‘applies to
ambiguity and being innocuous,”’ Frey says.
“We represent the Southwestern ambience to a lot of
people,” the two Eagles say.
“People relate this to our earlier period, 1972 and '73, and
the ‘Desperado’ album when
we were writing about the musician as seen in relation to
outlaws.”’ :
“On the Border,” the 1974
album,. also was in that vein
but ‘One of these Nights,” in
1975, went on to other topics.
They’re an American band
now, not a Southwestern or a ¢
California band, the Eagles in. Bernie Leadon, who joined
Frey and Henley with Meisner
in 1971, left late last year, to be
replaced by Joe Walsh. The album, ‘‘The Eagles: their
Greatest Hits 1971-1975” was ‘
released in February 1976,
giving the Eagles time to work
on the old songs with Welsh as .
amember and to work up new .
chart of Dec. 4. ,
“We knew Joe and Felder
would get off like bandits playing guitar together,’’ the
Eagles spokesmen say, “but
keyboard
Nevada County lingget — Saturday, December 18, 1976 — Page 5
play only the best-selling
singles of the moment. When
they got top40 acceptance
with their very first singles,
they say they were “happy to
be able to think what we can do
better instead of what are we
doing wrong.
“Some people equate commercial success with low content. Ninety per cent of the
time they’re right.
GARY.
Free Estimates885-0421
Serving Nevada, Placer
El Dorado and Amador
Counties :
os
TANKO
Hwy 49 & Luther Road
(1460 Canal Street)
Auburn, Calif.
“Take It Easy,” ‘‘Witchy
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