Enter a name, company, place or keywords to search across this item. Then click "Search" (or hit Enter).

Copy the Page Text to the Clipboard

Show the Page Image

Show the Image Page Text


More Information About this Image

Get a Citation for Page or Image - Copy to the Clipboard

Go to the Previous Page (or Left Arrow key)

Go to the Next Page (or Right Arrow key)
Page: of 8

4 The Nevada County Nugget Wed.,
—S——_—a—o
(Lola Montez’ life has provided much material for biographers and
novelists but what the press had to say about her has long been
hidden in musty files. Author Doris Foley diligently searched early
day California newspaper files, reading every issue published between 1853 and 1861, to document what they said about the divine
Lol aand then for contrast included Lola’s autobiography in this
work.) “s ;
Chapter Fifteen
AUSTRALIA BOUND — +
In The Art of Beauty, published in New York in 1858, Lola
Montes addressed herself to the. universal concerns of women;
wrinkles, graying hair and lost figures. Only the methods of
preserving beauty differed to some extent in the 1850s from those
current today. Lola dedicated her book to ‘‘those who are not afraid
of themselves, who trust so much in their own souls that they dare
to stand up in the might of their own individuality to meet the tidal
currents of the world.”’
She made the following recommendations:
For beauty of:
Form: Plenty of sleep and exercise (no mention of diet).
_A bright and smooth skin: Use temperance, exercise and
cleanliness. Avoid late hours, heavy dinners, coffee and hot breads.
Bathe in tepid water, dry in bran. ee .
A beautiful complexion: Excessive heat or cold/is bad for the
complexion. When overheated aJlow-one’s skin to’cool gradually.
Wear a bonnet when in the open air. Do not wash a perspiring face
in cold water or powder away perspiration. Wash the face night and
morning with the following: Mix two parts white brandy with one
part rose water. (no mention of creams.) Do not use white paints or :
enamels on the face as they are bad for the skin. Vegetable rouge to
tinge the cheeks is good. Avoid the heavy use of powders.
Lips: Ruby lips are generally the result of perfect health.
Teeth: Clean white teeth are indispensable to a beautiful
mouth. Brush teeth with pure cold water after every meal and also
use a toothpick. For a toothpowder mix 6 oz. prepared chalk, '% oz.
Cassic powder and 1 oz. Orris root together and use once a day.
Brush gums to keep them red and firm.
Eyes: Regular and natural sleep is recommended. Penciling
eyebrows helps accentuate eye beauty. Do not wear white veils as
they strain the eyes.
Hands: Sleep in white kid gloves. Use a hand wash (lotion) of 3
oz. lemon juice, 3 oz. white wine vinegar and ‘2 pint white brandy.
Hair: (Lola was known to have an abundance of beautiful black
wavy hair, and this topic seemed to be her favorite, receiving a
number of pages. She had little to offer for coloring hair.) Good hair
commences in childhood. It should be worn short, cut frequently
and brushed every morning when hair is more supple. It needs to be
cleaned daily by rubbing the roots with a damp sponge and cold
water. Use two brushes, a black one for scrubbing and a white one
for polishing. To soften the hair, beat up the whites of four eggs into
a froth and rub thoroughly into the roots of the hair. Leave it to dry,
then wash the head-and hair clean with a mixture of equal parts of
rum and rose water. _
Voice: Learn to converse charmingly. Practice reading aloud
and training the voice to express the most happy and delightful
ideas by soft and appropriate tones. a
Deportment: Modesty is to woman what the mantle of green is
to nature its ornament and-highest beauty. What a miracleworking charm there is in a blush.
Dress: The object of dress should be to show off an elegant
= woman and not an elegantly-dressed woman. Low neck dresses are
exceedingly bad taste. Those women between the ages of 20 and 30
need clothes of a light-flowing drapery. The 30 to 50 year old woman
should wear robes that are long and simple in heavier materials
and in colors of purple, crimson, scarlet, black or white. Beyond
this age, lay aside all such pretensions and by her ‘‘mantle of grey”
gracefully acknowledge her entrance inte the “‘vale of years.”
What can be more disgusting than a painted and bepowdered old
woman, just ‘‘trembling” on the brink of the grave, and yet a
candidate for the flattery of men?
At one time, however, Lola herself did not “‘stand up in the
right of (her) individuality.” The absurd attack (battre la camThe Divin
LOLA MONTEZ AND
pagne) against Henry Shipley in 1854, the preposterous aftermath
of public ridicule and the satirical reporting of the press led to
Lola’s complete seclusion within the confines of her little cottage.
She remained in Grass Valley just six months longer, and her name
did not again appear in the local newspaper until the time of her
departure.
Daily Town Talk, March 5, 1855 (Patrick P. Hull Publisher):
“We believe that many overtures have been made to draw the
celebrated Countess of Landsfeldt from her retirement in Grass
Valley, and exhibit her once more upon the stage in this city, but
thus far, they seem to have failed. The lady is too shrewd not to
know when to court publicity. We may therefore give up all hopes of
seeing the celebrated ‘spider dance’ for some time.”
Lola was making definite plans to return to the stage, but not in
San Francisco, where the Chapmans and Dr. Yankee Robinson
would be waiting to pounce on her again like the famed tarantulas
in her celebrated spider dance. Australia was. mentioned innumberable times in the papers of 1854 as a land of opportunity,
wealth and gold mines, the very mecca for the adventurous. A
promised land, so it seemed to Lola, who began making
preparations fer a return to the stage and a debut in Sydney.
It meant rehearsing plays, refurbishing her wardrobe, but
most of all procuring a cast. The following quotes are of interest
because of one name, ‘‘Folland,’’ a young man who either jumped
or fell overboard as the steamer.from Australia carried Lola’s
troupe back to San Francisco in 1856.
Grass Valley Telegraph, June 22, 1854: ‘‘The most talented
troupe ever in the mountains is at present giving entertainment at
Nevada, previous to starting for Downieville, where they intend
remaining for the season. It is only necessary to mention that
Messrs. Charles Burke, Ryer, Folland, Venua and Miss Denin and
Miss Edwards are of the company.”
Alta California, July 30, 1854: ‘Drama at Downieville Monday
evening the ‘Lady of Lyons’ was presented for the first time, Mrs.
Kent personating Pauline and Mr. Folland, Claude..”
The young actor may have met Lola at one of her salons when
the troupe played in Grass Valley, July 6, 1854, just a few days
before the adventurous pack trip with Old Block.
The winter of 1854-55 was spent in making arrangements for the
spring exodus from Grass Valley and the care of Lola’s home,
garden and pets during her absence. It could be that John Southwick financed the Australian trip, and the home was kept as a
promise of her return to Grass Valley.
Nevada Journal, March 30, 1855 ‘‘John Southwick thrown from
his horse. Taken to U.S. Hotel. Dr. Hunt called.’ Lola left Grass
Valley the first week in May of 1855, so his injuries were apparently
not serious enough to deter her departure.
Little is known of John Southwick. He is mentioned in the gold
rush newspapers occasionally as the director and part owner of the.
Empire Mine. The following quote is from the Nevada Transcript:
“John Southwick came to Grass Valley in 1849. He was a man of
education, prepossessing appearance, and the son of a New York
merchant of considerable wealth. He was one of the original owners
of the Empire Mine. Becoming enamored with Lola “Montez,
famous siren of the fifties, he financed many of her briiii nt and
elaborate parties. It was reported she ruined him financia ‘y. He
afterwards became a mental patient in the Stockton Hospi‘ .] but
returned to his people in New York in 1872.
Nevada Journal, May 12, 1855: ‘‘Lola Montez is in San “ancisco making arrangements for an artistic tour to Australia, the
Philippine Islands, Manila, Calcutta, Etc.”
San Francisco Courier, May 26, 1855: ‘‘The divine Lola is in San
Francisco. It is said she is going to leave America and pay a visit to
Australia and the South Sea Islands. Pleasant breezes waft thee,
fair Lola.”
The Golden Era, June 3, 1855: ‘‘Madame Lola Montez takes her
departure for Australia on the ‘Fanny Major’ to sail in the course ofa week. It is her intention to visit also Hong Kong, Calcutta and
other ports in the East. She has engaged a troupe of performers to
accompany her comprising Mrs. and Misses Fiddler, Mr. Simmonds and Mr. Folland, which with her agent Mr. Jones and two
assistants constitute a party of nine, no small undertaking for one
of less resolution than the interesting Countess of Landsfeldt.
By Doi
Madame Lola has mac
which has been her re
chieftest distinctions i
courtesies and charitie
knew her well enougt
erratic indications. It
engagement played b:
successful and there ce
within her reach by :
Choosing a different
cumstances of a: mini
numbered among the
operations. She retail
likewise her interest in
California at the close
will prove both pleasz
Actor Walter Lem
commencement of ou
(Lola) sailed in a brig:
departure, Miss Laura
myself, went from the
House, to drink a glass
spirits, and full of ple
think that even as ea
something of the impe!
been so notorious.”
The Golden Era, .
left these gay and festi
Australia where we
citement and thrash s
large crowd of her inti
wharf to take leave of
pants, so emblematic:
check-quered, ) to take
Perhaps he has learne
fidence even in his owr
hair out of curl. The le
and before leaving she
not one on hand read:
Francisco couldn’t bre
can’t imagine. There v
she left behind her th
never heard from it w
first arrived. She shec
People had their suspi
life (dog’s life) ‘Epuri
small dog-ibus.”