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Collection: Directories and Documents > Historical Clippings
Historical Clippings Book (HC-12) (520 pages)

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Page: of 520

July, .
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Valley. As the Queen of the Alpha
Diggins debarked from her red plush
coach, there was an uproar from Nevada
County’s multitude that could be heard
as far as Town Talk. Nevada City’s
band, there in all its glowing colors,
struck up the strains of “Home Sweet
Home.” What exultation! What demonstration! What celebration! Alice
Shebley, and Mary Watts, former
Mills Seminary classmates were there.
Among the crowd stood Liza Prisk,
Belle of the Cousin Jacks of Austin.
Into the waiting carriage went Emma
with her husband, Raymond Palmer,
and her brother Elvin Wixom. Through
the streets of Grass Valley, they toured
in the open landau. Up Mill Street
past the homes of Lola Montez and
Lotta Crabtree.
On to Nevada City after her carriage
and entourage turned the bend at Town
Talk, an old frontier settlement consisting of one saloon and its owner's
domicile.
Spectators from Piety Hill waved and
cheered as the prima donna’s carriage
rolled by. Along Jordan Street came
waves of countless handkerchiefs. Folk
lined up along Gethsemane Street were not too pious to cheer on Sunday, and °
clap their hands with joy. From homes
along Tribulation Trail came shouts and
applause. Down Jacob’s Ladder came
the commonwealth decending enroute
to the National Hotel where they might
get a closer glimpse of their former
Queen. Frontier society of Aristocracy
Hill cheered the on-coming Cantatrice.
Emma Nevada enjoyed the Easter
church service for above all she was
devout in her religious life. From childhood to the grave the sterling character
of the great woman was molded and
held intact by noble thoughts and high
ideals. i
When Emma’s party arrived at the
historic National Hotel, throngs had increased in number until it was difficult
for a passage way to be opened.
Laural Parlor of the Native Daughters
had filled the diva’s apartment with
flowers. As she entered the gloriously
decorated rooms the band played fami.
liar airs outside on crowded Broad
Street. Emma courteously walked to
the balcony and bowed with appreciation. Again the cheering rose in crescendo that fairly shook the ancient
gravel beds of a bygone era.
After the crowd dispersed, Emma was
conducted, by a Native Daughter Committee around the town of her earl
childhood. Above all she wanteq a
see the old Baptist Church, where she
sang the “The Star Spangled Banner’
at three years of age. (After 1862, the
old church was transformed into a Soda
Bottling Manufactory operated by
Messrs. Daniel and Powell on the bank
of Deer Creek; still later into a private
residence.)
Some of the scores of Mills college
students who had heard Emma at the
Metropolitan Temple came to Nevada
City to hear her again and to be present
at her home coming reception. The
Nevada City Theater was overflowing,
People were climbing into the trees and
on the roofs of the houses, to better
see the song bird of the ages.
Flowers were heaped so high on the
stage there was hardly room for Emma
to stand. The Native Daughters had
made a wreath of California poppies,
It was presented with a prepared
speech. This so touched Emma’s heart
that tears flowed freely.
When the little five-foot prima donna
appeared on the stage the demonstration
rolled with thunderous applause. The
populace of Nevada County ose,
cheered, and waved handkerchiefs in
the hall decorated with the National
colors.
After the portiers parted, Emma appeared with a rose in her hand. She
walked across the old boards with a
grace that only a Shakespeare or a
Tennyson could describe. Her presence
swayed the multitude from the Diggins.
Her voice charmed the music lovers.
One of the best tributes ever paid the
great singer was by a writer of her
home town paper. He said, “When God,
in His infinite goodness, gave a good
woman the magic of music Emma Nevada was born.”
Tears dimmed anxious eyes of sturdy
miners and flamboyant youths as they
viewed the departure of their Queen of
the Mountains the following day.
As the Narrow Gauge whistled from
the station, heading its way toward
Colfax, and old sinewy blacksmith stood
in the vast throng waving his handkerchief—old Bill Alexander, the former
Smithy whose soul had been touched by
a chestnut haired maiden back in the
early Sixty—by the maiden who had
sung to the beatings of his alpine anvil,
and the roaring gold streams from monitors that went dashing down the mountain side.
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